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essay

The Essay That Created a Press: Karen McPherson on Translating Nicole Brossard's Le Dos indocile des mots

by Ross BelotSeptember 8, 2026

S

selon le sentiment et le silence

je surgis à la surface savante des siècles

 

le soir ce sont des scènes avec mes semblables

de salines symphonies de salive avec les mots de

Sappho

des saisons à saveur de sapotille et de saké,

le monde s’incline par saccades je soupire

rien ne sombre dans mon souvenir :

ni le soi sagittaire

ni les soudaines séquences de séduction

[Q→S]

 

sometimes seeking a sympathetic silence

I dream in Sechura of the Xolotl (masc. noun, Nahuatl word: Aztec god of fire and bad luck)

of his skeleton and how at sunset he shoves the sun

into the sea, I suck the seeds

of the salmonberry, all the scarlet scrutinies

the sextets of what-will-they-say, my sweet,

I stand sentry

2

The “Q” entry in English is a translation of the “S” entry in French, and the “S” entry in English is a translation of the “Q” entry in French. See discussion of this switch in the translator’s introduction and notes.

Article Author Biography

Ross Belot is a poet translator from Hamilton Ontario. His collaborative translation of Paul Éluard's La Vie immédiate was a finalist for the 2026 Stephen Mitchell Prize for Excellence in Translation. Poems from that collection have been published widely including The Denver Quarterly, World Poetry Review and peer reviewed in Delos. His poetry has been a finalist for the CBC Poetry Prize and the Montreal International Poetry Prize. He is a co-editor of The Transformation Review